By CAROLYN MILAZZO MURPHY
Have you ever been in a class where someone’s work is so great that yours pales by comparison every time?
Katie Beavan of Southport is that classmate. With her proper English accent and poetic mastery of the English language, Katie managed to churn out mini-masterpieces during our class “Journey of Women Through Writing” at the Westport Writers’ Workshop.
Our class was by no means a competition, but Katie brought a unique twist to our assignments written during a three-hour block every Tuesday morning. She clearly hails from the land of Chaucer and Shakespeare, creating pieces with rich texture and layers in a voice that is uniquely her own.
Given her talent to write eloquently on subjects ranging from anorexia to sexism in a 15-minute time frame, I can’t wait to see her one-woman play “Harvey’s Phallus, Where’s My Pussy Hat?” inspired by the Harvey Weinstein sex scandal. The play is at 7 p.m. May 11 at the Wien Experimental Theatre at the Quick Centre for the Arts at Fairfield University.
Auto/ethnographic performance is a both a method of critical qualitative inquiry and a stage performance. The scholar-performer uses her body as a cultural text to critically inquire, write, and present to audiences, hoping to invoke in turn, their personal, critical and embodied reflections.
Katie works as a feminist practitioner-scholar, using her experiences as a long-term executive and 21st century woman leading a multi-faceted 24/7 life as raw data. She is currently a Ph.D. candidate at the University of West of England. Her research focuses on how to (un)do gender in hyper-masculine cultures and accelerate the current slow pace of progress towards gender parity.
Her 2017 piece “Sleepless and Inchoate in Boston” explores the scenes and emotions of a senior executive woman in Boston for a dinner event and engaged in a heated e-mail dispute with her bosses. The play explores power at work, women at work, shame, anger, empathy, and agency.
Katie’s 2018 piece ‘Harvey’s Phallus, Where Is My Pussy Hat? is a performance of fragments. In this piece, she is engaging with powerful emotions and vulnerable and painful, personal memories of sexual harassment evoked by the unfolding Harvey Weinstein story. It also explores wider cultural issues of misogyny, power and control of women’s bodies, political agency and exploring the potential for women’s solidarity.
The play is free and open to the public. Oh and wear a pink pussy hat if you have one.
Carolyn Milazzo Murphy is blog editor for CT-NOW.